Kesha, ‘Eat The Acid’ – Single Review ★★★★☆
‘Eat The Acid’ by Kesha – Single Rating: 4/5 ★★★★☆
Kesha is back with a hauntingly beautiful new single ‘Eat the Acid’. It is the lead single from her upcoming fifth studio album ‘Gag Order’.
The song is a dark-Americana-scented ballad, with a bass-based melody that perfectly complements Kesha’s soulful vocals. ‘Eat the Acid’ was inspired by a spiritual awakening that Kesha experienced during COVID-19 isolation. It’s a deeply personal and introspective track that showcases Kesha’s growth as a songwriter.
The title of the song takes inspiration from Kesha’s mother, Pebe Sebert, who advised her not to take LSD from a young age. Also, the lyrics of the song explore the idea of taking a different kind of acid, one that will allow you to see the world in a new light. Moreover, ‘Eat the Acid’ is a call to break free from the constraints of the mundane and embrace the unknown.
The song finds inspiration from Kesha’s gurus, the filmmaker David Lynch and music producer Rick Rubin, who signed on as the executive producer for the album. Their influence is evident in the haunting melody and introspective lyrics of the song.
Overall, ‘Eat the Acid’ is a beautiful and introspective track that showcases Kesha’s growth as a songwriter. The bass-based melody and soulful vocals make it a standout track that is sure to resonate with fans. Also, the single has set high expectations for Kesha’s upcoming album ‘Gag Order’ and we cannot wait to hear what else she has in store for us.
You can take a listen to ‘Eat The Acid’ by Kesha below. Also, be sure to let us know your thoughts to this new release by commenting beneath this article. As always, we love to hear your feedback.
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He discovered the gem when he was 12 years old and still has it now, claiming it to be why he fell in love with music. He likes to play disc golf when he's not writing about music. He is a one-of-a-kind individual who is always the first to bust out his air guitar on the dance-floor.
George graduated with first-class honours in music journalism in 2012 and promptly found work in the music industry. Also, he has written about some of the world's most famous musical stories throughout his time at GSGM, which he joined in 2016.
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